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Symposium

by Plato

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Set in Athens during the classical period, the "Symposium" is a philosophical dialogue attributed to Plato that depicts a banquet attended by prominent Athenian figures. The text records a series of speeches given by participants such as Socrates, Aristophanes, and Alcibiades, each offering reflections on the nature and significance of love (Eros). The dialogue employs a literary framework that combines philosophical debate with poetic and rhetorical elements, reflecting the intellectual and cultural milieu of 4th-century BC Athens. The work investigates different dimensions of love, from physical attraction to spiritual and intellectual pursuits, through contrasting viewpoints presented by each speaker. The "Symposium" exemplifies Greek philosophical inquiry into human desire and virtue, characteristic of Plato’s broader philosophical project during his lifetime.

Written between 385 and 370 BC, the text is considered a foundational work in Western literature and philosophy. It exemplifies the use of dialogue as a literary form and provides insights into Athenian social customs, religious beliefs, and philosophical ideas about love, beauty, and the soul's ascent. The "Symposium" remains significant for its combination of philosophical inquiry and literary artistry, reflecting the cultural values of classical Greece.

From the opening pages

Of all the works of Plato the Symposium is the most perfect in form, and may be truly thought to contain more than any commentator has ever dreamed of; or, as Goethe said of one of his own writings, more than the author himself knew. For in philosophy as in prophecy glimpses of the future may often be conveyed in words which could hardly have been understood or interpreted at the time when they were uttered (compare Symp.)—which were wiser than the writer of them meant, and could not have been expressed by him if he had been interrogated about them. Yet Plato was not a mystic, nor in any degree affected by the Eastern influences which afterwards overspread the Alexandrian world. He was not an enthusiast or a sentimentalist, but one who aspired only to see reasoned truth, and whose thoughts are clearly explained in his language. There is no foreign element either of Egypt or of Asia to be found in his writings. And more than any other Platonic work the Symposium is Greek both in style and subject, having a beauty 'as of a statue,' while the companion Dialogue of the Phaedrus is marked by a sort of Gothic irregularity. More too than in any other of his Dialogues, Plato is emancipated from former philosophies. The genius of Greek art seems to triumph over the traditions of Pythagorean, Eleatic, or Megarian systems, and 'the old quarrel of poetry and philosophy' has at least a superficial reconcilement. (Rep.) An unknown person who had heard of the discourses in praise of love spoken by Socrates and others at the banquet of Agathon is desirous of having an authentic account of them, which he thinks that he can obtain from Apollodorus, the same excitable, or rather 'mad' friend of Socrates, who is afterwards introduced in the Phaedo. He had imagined that the discourses were recent. There he is mistaken: but they are still fresh in the memory of his informant, who had just been repeating them to Glaucon, and is quite prepared to have another rehearsal of them in a walk from the Piraeus to Athens. Although he had not been present himself, he had heard them from the best authority. Aristodemus, who is described as having been in past times a humble but inseparable attendant of Socrates, had reported them to him (compare Xen. Mem.). The narrative which he…

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