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The Crack of Doom
- Language
- EN
- Format
- EPUB
- Size
- 179 KB
Description
The novel is a science fiction narrative presented in prose form, constructed around the experiences of its protagonist, Arthur Marcel. It recounts a sea voyage where Marcel encounters Herbert Brande, a mysterious figure involved in a clandestine society with concealed motives. As the story develops, Marcel becomes entangled in the group's activities and develops an interest in Brande's sister, Natalie. The narrative addresses themes of cosmic secrets and existential questions, reflecting late 19th-century speculative thought about the universe and mankind's place within it.
Set in a period of burgeoning scientific discovery, the story situates its characters within a framework of secret societies and philosophical inquiry. Cromie’s work exemplifies Victorian-era fascination with the unknown and the potential for human knowledge to confront cosmic mysteries. It combines adventure, mystery, and speculative elements, characteristic of the late 19th-century science fiction genre.
Set in a period of burgeoning scientific discovery, the story situates its characters within a framework of secret societies and philosophical inquiry. Cromie’s work exemplifies Victorian-era fascination with the unknown and the potential for human knowledge to confront cosmic mysteries. It combines adventure, mystery, and speculative elements, characteristic of the late 19th-century science fiction genre.
From the opening pages
not sure that I desired the old relationships re-established. And as my long absence had prevented any fresh shoots of friendship being grafted, I found myself alone in London. I need say no more. One evening I was walking through the streets in a despondent mood, as had become my habit. By chance I read the name of a street into which I had turned to avoid a more crowded thoroughfare. It was that in which Miss Metford lived. I knew that she had returned to town, for she had briefly acquainted me with the fact on a postcard written some days previously. Here was a chance of distraction. This girl's spontaneous gaiety, which I found at first displeasing, was what I wanted to help me to shake off the gloomy incubus of thought oppressing me. It was hardly within the proprieties to call upon her at such an hour, but it could not matter very much, when the girl's own ideas were so unconventional. She had independent means, and lived apart from her family in order to be rid of domestic limitations. She had told me that she carried a latch-key—indeed she had shown it to me with a flourish of triumph—and that she delighted in free manners. Free manners, she was careful to add, did not mean bad manners. To my mind the terms were synonymous. When opposite her number I decided to call, and, having knocked at the door, was told that Miss Metford was at home. "Hallo, Marcel! Glad to see you," she called out, somewhat stridently for my taste. Her dress was rather mannish, as usual. In lieu of her out-door tunic she wore a smoking-jacket. When I entered she was sitting in an arm-chair, with her feet on a music-stool. She arose so hastily that the music-stool was overturned, and allowed to lie where it fell. "What is the matter?" she asked, concerned. "Have you seen a ghost?" "I think I have seen many ghosts of late," I said, "and they have not been good company. I was passing your door, and I have come in for comfort." She crossed the room and poured out some whisky from a decanter which was standing on a side-board. Then she opened a bottle of soda-water with a facility which suggested practice. I was relieved to think that it was not Natalie who was my hostess. Handing…
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