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The divine comedy
- Language
- EN
- Format
- EPUB
- Size
- 29 MB
Description
Written in the early 14th century, "The Divine Comedy" is an Italian narrative poem that recounts the allegorical journey of a pilgrim through the afterlife. The work is divided into three sections: Inferno, Purgatorio, and Paradiso, illustrating the soul's progression towards divine understanding. Guided initially by the Roman poet Virgil and later by Beatrice, the poem examines themes of sin, redemption, and divine justice within a medieval Catholic theological framework. The poem employs vivid imagery and symbolic portrayal of moral and spiritual states, reflecting the religious beliefs and philosophical ideas prevalent in Italy during the Middle Ages.
As a foundational text of Western literature, "The Divine Comedy" synthesises religious doctrine, classical references, and poetic innovation. It is characterised by its structured terza rima rhyme scheme and its detailed depiction of the afterlife realms. The work has influenced subsequent literary and theological thought, serving as a primary source on medieval conceptions of morality, salvation, and divine justice.
As a foundational text of Western literature, "The Divine Comedy" synthesises religious doctrine, classical references, and poetic innovation. It is characterised by its structured terza rima rhyme scheme and its detailed depiction of the afterlife realms. The work has influenced subsequent literary and theological thought, serving as a primary source on medieval conceptions of morality, salvation, and divine justice.
From the opening pages
syllables, of which the third is a long one.) Revisited with joy. Love brought me thence, Who prompts my speech. When in my Master’s sight I stand, thy praise to him I oft will tell.” She then was silent, and I thus began: “O Lady! by whose influence alone, Mankind excels whatever is contain’d Within that heaven which hath the smallest orb, So thy command delights me, that to obey, If it were done already, would seem late. No need hast thou farther to speak thy will; Yet tell the reason, why thou art not loth To leave that ample space, where to return Thou burnest, for this centre here beneath.” She then: “Since thou so deeply wouldst inquire, I will instruct thee briefly, why no dread Hinders my entrance here. Those things alone Are to be fear’d, whence evil may proceed, None else, for none are terrible beside. I am so fram’d by God, thanks to his grace! That any suff’rance of your misery Touches me not, nor flame of that fierce fire Assails me. In high heaven a blessed dame Besides, who mourns with such effectual grief That hindrance, which I send thee to remove, That God’s stern judgment to her will inclines.” To Lucia calling, her she thus bespake: “Now doth thy faithful servant need thy aid And I commend him to thee.” At her word Sped Lucia, of all cruelty the foe, And coming to the place, where I abode Seated with Rachel, her of ancient days, She thus address’d me: “Thou true praise of God! Beatrice! why is not thy succour lent To him, who so much lov’d thee, as to leave For thy sake all the multitude admires? Dost thou not hear how pitiful his wail, Nor mark the death, which in the torrent flood, Swoln mightier than a sea, him struggling holds?” Ne’er among men did any with such speed Haste to their profit, flee from their annoy, As when these words were spoken, I came here, Down from my blessed seat, trusting the force Of thy pure eloquence, which thee, and all Who well have mark’d it, into honour brings.” “When she had ended, her bright beaming eyes Tearful she turn’d aside; whereat I felt Redoubled zeal to serve thee. As she will’d, Thus am I come: I sav’d thee from the beast,
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