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The Goose Man
- Language
- EN
- Format
- EPUB
- Size
- 639 KB
Description
The Goose Man by Jakob Wassermann examines the effects of industrialisation on traditional rural communities through the experiences of Gottfried Nothafft, a weaver in a small German town. The narrative focuses on Gottfried’s personal struggles and his relationship with his son Daniel, against the backdrop of societal change. As machine-made textiles threaten Gottfried’s livelihood, the story explores themes of economic hardship, generational conflict, and the shifting social landscape of early 20th-century Germany.
Set in the town of Eschenbach, the novel situates its characters within a context of rapid technological advancement and cultural transition. Wassermann’s work reflects on how individuals adapt to, or resist, these transformations, highlighting the personal and familial repercussions of broader economic developments. The novel is part of the German literary tradition of the early 20th century, engaging with contemporary social issues through its detailed characterisation and realistic depiction of rural life.
Set in the town of Eschenbach, the novel situates its characters within a context of rapid technological advancement and cultural transition. Wassermann’s work reflects on how individuals adapt to, or resist, these transformations, highlighting the personal and familial repercussions of broader economic developments. The novel is part of the German literary tradition of the early 20th century, engaging with contemporary social issues through its detailed characterisation and realistic depiction of rural life.
From the opening pages
and II of the second chapter, “Foes, Brothers, a Friend, and a Mask,” were translated by Ludwig Lewisohn. The rest of the book has been translated by Allen W. Porterfield. The title, “The Goose Man” (“Das Gänsemännchen”), refers to the famous statue of that name in Nuremberg. COPYRIGHT, 1922, BY HARCOURT, BRACE AND COMPANY, INC. PRINTED IN THE U. S. A. CONTENTS PAGE A Mother Seeks Her Son 1 Foes, Brothers, A Friend and a Mask 23 The Nero of To-day 44 Inspector Jordan and His Children 65 Voices from Without and Voices from Within 97 In Memory of a Dream Figure 123 Daniel and Gertrude 153 The Glass Case Breaks 178 Tres Faciunt Collegium 204 Philippina Starts a Fire 239 Eleanore 277 The Room with the Withered Flowers 323 The Promethean Symphony 352 Dorothea 405 The Devil Leaves the House in Flames 435 But Aside, Who Is It? 455 THE GOOSE MAN A MOTHER SEEKS HER SON I The landscape shows many shades of green; deep forests, mostly coniferous, extend from the valley of the Rednitz to that of the Tauber. Yet the villages lie in the midst of great circles of cultivated land, for the tillage of man is immemorial here. Around the many weirs the grass grows higher, so high often that you can see only the beaks of the droves of geese, and were it not for their cackle you might take these beaks to be strangely mobile flowers. The little town of Eschenbach lies quite flat on the plain. In it a fragment of the Middle Ages has survived, but no strangers know it, since hours of travel divide it from any railway. Ansbach is the nearest point in the great system of modern traffic; to get there you must use a stage-coach. And that is as true to-day as it was in the days when Gottfried Nothafft, the weaver, lived there. The town walls are overgrown with moss and ivy; the old drawbridges still cross the moats and take you through the round, ruined gates into the streets. The houses have bay-windows and far-projecting overhangs, and their interlacing beams look like the criss-cross of muscles on an anatomical chart. Concerning the poet who was once born here and who sang the song of Parsifal, all living memory has faded. Perhaps the fountains whisper of him by night; perhaps sometimes when the moon is up,…
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