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The Great God Pan
- Language
- EN
- Format
- EPUB
- Size
- 124 KB
Description
The Great God Pan is a horror and fantasy novella composed of interconnected narrative sections. It employs a mixture of first-person accounts, third-person narratives, and epistolary fragments to develop its unsettling atmosphere. The work was published in 1894 and exemplifies Victorian-era Gothic influences, involving elements of the supernatural, forbidden experiments, and psychological terror. The plot centres on a scientist's dangerous act of opening a young woman's mind to supernatural visions, which results in tragic consequences. As years pass, the story traces the mysterious appearances and deaths linked to a woman named Helen Vaughan, whose sinister nature appears tied to the pagan deity Pan and the initial experiments.
Set within late 19th-century Britain, the novella reflects contemporary anxieties surrounding science, the occult, and the limits of human knowledge. Machen's work explores themes of forbidden knowledge, the unseen world, and the destructive power of the supernatural, blending elements of horror fiction with early fantasy. Its structure and subject matter align with the period's fascination with mysticism, spiritualism, and the darker aspects of human consciousness.
Set within late 19th-century Britain, the novella reflects contemporary anxieties surrounding science, the occult, and the limits of human knowledge. Machen's work explores themes of forbidden knowledge, the unseen world, and the destructive power of the supernatural, blending elements of horror fiction with early fantasy. Its structure and subject matter align with the period's fascination with mysticism, spiritualism, and the darker aspects of human consciousness.
From the opening pages
“I am glad you came, Clarke; very glad indeed. I was not sure you could spare the time.” “I was able to make arrangements for a few days; things are not very lively just now. But have you no misgivings, Raymond? Is it absolutely safe?” The two men were slowly pacing the terrace in front of Dr. Raymond’s house. The sun still hung above the western mountain-line, but it shone with a dull red glow that cast no shadows, and all the air was quiet; a sweet breath came from the great wood on the hillside above, and with it, at intervals, the soft murmuring call of the wild doves. Below, in the long lovely valley, the river wound in and out between the lonely hills, and, as the sun hovered and vanished into the west, a faint mist, pure white, began to rise from the hills. Dr. Raymond turned sharply to his friend. “Safe? Of course it is. In itself the operation is a perfectly simple one; any surgeon could do it.” “And there is no danger at any other stage?” “None; absolutely no physical danger whatsoever, I give you my word. You are always timid, Clarke, always; but you know my history. I have devoted myself to transcendental medicine for the last twenty years. I have heard myself called quack and charlatan and impostor, but all the while I knew I was on the right path. Five years ago I reached the goal, and since then every day has been a preparation for what we shall do tonight.” “I should like to believe it is all true.” Clarke knit his brows, and looked doubtfully at Dr. Raymond. “Are you perfectly sure, Raymond, that your theory is not a phantasmagoria—a splendid vision, certainly, but a mere vision after all?” Dr. Raymond stopped in his walk and turned sharply. He was a middle-aged man, gaunt and thin, of a pale yellow complexion, but as he answered Clarke and faced him, there was a flush on his cheek. “Look about you, Clarke. You see the mountain, and hill following after hill, as wave on wave, you see the woods and orchard, the fields of ripe corn, and the meadows reaching to the reed-beds by the river. You see me standing here beside you, and hear my voice; but I tell you that all these things—yes, from that star that has just…
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