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The Green Mummy

by Fergus Hume

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EPUB
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Description

This work is a detective and mystery novel composed as a narrative prose piece. Fergus Hume constructs a story involving a young couple, Archie Hope and Lucy Kendal, set within an environment of romantic tension and secret intrigue. Central to the plot is a rare green mummy that Lucy’s archaeologist stepfather, Professor Braddock, desires to acquire. The novel depicts their personal interactions alongside the unfolding mystery surrounding the mummy, which is linked to themes of greed, deception, and hidden motives. Written during the late 19th century, the novel reflects contemporary interests in archaeology and the popular fascination with Egyptian artefacts.

The story combines elements of romance and crime, with the characters' relationships intertwined with the investigation of the mummy’s significance. Hume's narrative employs dialogue and character interactions to gradually reveal the motives and secrets behind the artefact, set against the backdrop of Victorian societal norms and obsession with antiquities.

From the opening pages

“I don't think it is one which needs answering,” said the young man lightly; “there are more important things to talk about than pounds, shillings, and sordid pence.” “Oh, indeed! Such as—” “Love, on a day such as this is. Look at the sky, blue as your eyes; at the sunshine, golden as your hair.” “Warm as your affection, you should say.” “Affection! So cold a word, when I love you.” “To the extent of one thousand pounds.” “Lucy, you are a—woman. That money did not buy your love, but the consent of your step-father to our marriage. Had I not humored his whim, he would have insisted upon your marrying Random.” Lucy pouted again and in scorn. “As if I ever would,” said she. “Well, I don't know. Random is a soldier and a baronet; handsome and agreeable, with a certain amount of talent. What objection can you find to such a match?” “One insuperable objection; he isn't you, Archie—darling.” “H'm, the adjective appears to be an afterthought,” grumbled the bachelor; then, when she merely laughed teasingly after the manner of women, he added moodily: “No, by Jove, Random isn't me, by any manner of means. I am but a poor artist without fame or position, struggling on three hundred a year for a grudging recognition.” “Quite enough for one, you greedy creature.” “And for two?” he inquired softly. “More than enough.” “Oh, nonsense, nonsense, nonsense!” “What! when I am engaged to you? Actions speak much louder than remarks, Mr. Archibald Hope. I love you more than I do money.” “Angel! angel!” “You said that I was a woman just now. What do, you mean?” “This,” and he kissed her willing lips in the lane, which was empty save for blackbirds and beetles. “Is any explanation a clear one?” “Not to an angel, who requires adoration, but to a woman who—Let us walk on, Archie, or we shall be late for dinner.” The young man smiled and frowned and sighed and laughed in the space of thirty seconds—something of a feat in the way of emotional gymnastics. The freakish feminine nature perplexed him as it had perplexed Adam, and he could not understand this rapid change from poetry to prose. How could it be otherwise, when he was but five-and-twenty, and engaged for the first time? Threescore years and ten is all too short a time to

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