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The Hermit Doctor of Gaya: A Love Story of Modern India

by I. A. R. (Ida Alexa Ross) Wylie

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Description

Set in a small village in India during the early 20th century, the novel by I. A. R. Wylie examines the social and cultural tensions of colonial modernity. It follows the lives of several characters, including the hermit doctor Tristram, who leads a solitary existence, and Ayeshi, a storyteller of local legends. The narrative weaves together themes of love and bravery while contrasting traditional Indian customs with the influences of British colonial rule, reflecting the period's complex societal dynamics.

The story begins with a recounting of a historic event involving Rani Kurnavati’s defence against invaders, which sets a tone of heroism and national pride. As the plot unfolds, the characters’ personal stories intersect with broader themes of cultural identity and the struggle between tradition and change. The novel provides insight into rural India during a period of significant social change and colonial influence.

From the opening pages

fretted the outskirts of the light and sheltered the solemn, battered effigy of the village god like the dome of a temple. A suddenly awakened night-breeze stirred them to a mysterious murmur. They rustled tremulously and secretly together, and the clear cold fire of a star burnt amidst their shifting shadows. Beyond and beneath their whispering there were other sounds. A night-owl hooted, a herd of excited, lithe-limbed monkeys scrambled noisily in the darkness overhead, chattered a moment, and were mischievously still. From the distance came the long, hungry wail of a pariah dog, hunting amidst the village garbage. These discords dropped into the night's silence, breaking its placid surface into widening circles and died away. The peepul leaves shivered and sank for an instant into grave meditation on their late communings, and through the deepened quiet there poured the distant, monotonous song of running water. It was a song based on one deep organ note, the primæval note of creation, and never changed. It rose up out of the earth and filled the darkness and mingled with the silence, so that they became one. The listeners heard it and did not know they heard it. It was the background on which the night sounds of living things painted themselves in vivid colours. The Englishman turned his face to the firelight. "Go on, Ayeshi," he said, with drowsy content. "You can't leave the beautiful Rani in mid-air like that, you know. Go on." "Yes, Sahib." The young man pushed back the short black curls from his neck and resumed his old attitude of watchfulness on the flames. But his voice sounded louder, clearer: "Thereafter, Sahib, the need of Chitore grew desperate. In vain, the bravest of her nobles sallied forth—the armies of Bahadur Shah swept over them as the tempest sweeps over the ripe corn, and hour by hour the ring about the city tightened till the very gates shivered beneath the enemy's blows. It was then the Rani bethought her of a custom of her people. With her own hands she made a bracelet of silver thread bound with tinsel and gay with seven coloured tassels, and, choosing a trusty servant, sent him forth out of Chitore to seek Humayun, the Great Moghul, whose conquering sword even then swept Bengal like a flail. By a miracle, the messenger escaped and came before Humayun and laid the bracelet in his…

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