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The Letters of Wolfgang Amadeus Mozart — Volume 01
- Language
- EN
- Format
- EPUB
- Size
- 294 KB
Description
This collection of personal correspondence by Wolfgang Amadeus Mozart is presented in a compiled volume of epistles written from 1769 to 1791. The work is organised chronologically and covers Mozart's travels across Italy, Vienna, Munich, and Paris, along with reflections on his early childhood and family relationships. The letters reveal not only his insights into musical composition and performance but also detail his personal life, social interactions, and the cultural environment of late 18th-century Europe. The volume provides a primary source for understanding Mozart’s personality, his artistic development, and the historical context in which he created his compositions.
The correspondence also discusses Mozart’s professional engagements, negotiations, and responses to contemporary musical figures. As a biographical resource, it offers context for his works and the circumstances surrounding his career during this period of prolific activity and personal challenge. The volume is based on original letters, with references to earlier collections and biographical sources that have drawn from these primary documents.
The correspondence also discusses Mozart’s professional engagements, negotiations, and responses to contemporary musical figures. As a biographical resource, it offers context for his works and the circumstances surrounding his career during this period of prolific activity and personal challenge. The volume is based on original letters, with references to earlier collections and biographical sources that have drawn from these primary documents.
From the opening pages
Translated, From The Collection Of Ludwig Nohl, By Lady Wallace With A Portrait And Facsimile New York and Philadelphia: 1866. CONTENTS PREFACE FIRST PART—ITALY, VIENNA, MUNICH.—1770 TO 1776. SECOND PART.—MUNICH, AUGSBURG, MANNHEIM.—SEPTEMBER 1771 TO MARCH 1778. THIRD PART.—PARIS.—MARCH 1778 TO JANUARY 1779. FOURTH PART.—MUNICH.—IDOMENEO.—NOVEMBER 1780 TO JANUARY 1781. CONTENTS OF VOLUME I. [LETTERS LISTED BY DATE] PREFACE A full and authentic edition of Mozart's Letters ought to require no special apology; for, though their essential substance has already been made known by quotations from biographies by Nissen, Jahn, and myself, taken from the originals, still in these three works the letters are necessarily not only very imperfectly given, but in some parts so fragmentary, that the peculiar charm of this correspondence—namely, the familiar and confidential mood in which it was written at the time—is entirely destroyed. It was only possible to restore, and to enable others to enjoy this charm—a charm so novel, even to those already conversant with Mozart's life, that the most familiar incidents acquire fresh zest from it—by an ungarbled edition of these letters. This is what I now offer, feeling convinced that it will be welcome not only to the mass of Mozart's admirers, but also to professional musicians; for in them alone is strikingly set forth how Mozart lived and labored, enjoyed and suffered, and this with a degree of vivid and graphic reality which no biography, however complete, could ever succeed in giving. Who does not know the varied riches of Mozart's life? All that agitated the minds of men in that day—nay, all that now moves, and ever will move, the heart of man—vibrated with fresh pulsation, and under the most manifold forms, in his sensitive soul, and mirrored itself in a series of letters, which indeed rather resemble a journal than a correspondence. This artist, Nature had gifted in all respects with the most clear and vigorous intellect that ever man possessed. Even in a language which he had not so fully mastered as to acquire the facility of giving expression to his ideas, he contrived to relate to others all that he saw and heard, and felt and thought, with surprising clearness and the most charming sprightliness, combined with talent and good feeling. Above all, in his letters to his father when travelling, we meet with the most minute delineations of countries and people, of the progress of the fine arts,
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