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The Lure of the Mask

by Harold MacGrath

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EN
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EPUB
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1.6 MB

Description

A wealthy young man from New York becomes captivated by a mysterious masked singer whose voice he hears during a foggy night. His fascination leads him to pursue her across various European cities, including Venice, Monte Carlo, and Florence. Along the way, he encounters her again amidst a stranded American comic opera company, and his quest intertwines elements of romance and intrigue. The novel presents a blend of adventure and mystery set against the backdrop of early twentieth-century travel and social scenes, capturing the allure of performance art and the fleeting nature of enchantment.

Published in 1908, Harold MacGrath's "The Lure of the Mask" is a work of American fiction that reflects the period's fascination with romance, glamour, and exotic locations. It features a narrative centred on love, disguise, and pursuit, characteristic of early 20th-century popular novels. The story emphasizes the appeal of music and performance in creating emotional and romantic fascination.

From the opening pages

She deliberately drew a line across the centre of the table-cloth In the balcony La Signorina reposed in a steamer chair "Our little jig is up. Read these and see for yourself." Again and again the prince made desperate attempts to free himself "Take me, and oh! be good and kind to me" THE LURE OF THE MASK THE VOICE IN THE FOG Out of the unromantic night, out of the somber blurring January fog, came a voice lifted in song, a soprano, rich, full and round, young, yet matured, sweet and mysterious as a night-bird's, haunting and elusive as the murmur of the sea in a shell: a lilt from La Fille de Madame Angot , a light opera long since forgotten in New York. Hillard, genuinely astonished, lowered his pipe and listened. To sit dreaming by an open window, even in this unlovely first month of the year, in that grim unhandsome city which boasts of its riches and still accepts with smug content its rows upon rows of ugly architecture, to sit dreaming, then, of red-tiled roofs, of cloud-caressed hills, of terraced vineyards, of cypresses in their dark aloofness, is not out of the natural order of things; but that into this idle and pleasant dream there should enter so divine a voice, living, feeling, pulsing, this was not ordinary at all. And Hillard was glad that the room was in darkness. He rose eagerly and peered out. But he saw no one. Across the street the arc-lamp burned dimly, like an opal in the matrix, while of architectural outlines not one remained, the fog having kindly obliterated them. The Voice rose and sank and soared again, drawing nearer and nearer. It was joyous and unrestrained, and there was youth in it, the touch of spring and the breath of flowers. The music was Lecocq's, that is to say, French; but the tongue was of a country which Hillard knew to be the garden of the world. Presently he observed a shadow emerge from the yellow mist, to come within the circle of light, which, faint as it was, limned in against the nothingness beyond the form of a woman. She walked directly under his window. As the invisible comes suddenly out of the future to assume distinct proportions which either make or mar us, so did this unknown cantatrice come out of the fog that night…

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