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The Man Upstairs and Other Stories

by P. G. (Pelham Grenville) Wodehouse

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EPUB
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314 KB

Description

The collection features nineteen short stories by P. G. Wodehouse, published in 1914, which depict humorous situations arising from romantic misunderstandings and social interactions. The characters include a temperamental music teacher, a shy gardener, and a playwright, each involved in romantic pursuits that lead to comic complications. Wodehouse employs lighthearted plots filled with deceptions, mistaken identities, and unpredictable outcomes, set against early twentieth-century British society.

The stories exemplify Wodehouse's early style of comic fiction, blending wit with social observation. They reflect the author's interest in character-driven humour and domestic scenarios, often portraying characters caught in amusing predicaments related to love and reputation. The collection provides insight into the humour and social mores of the Edwardian period through a series of succinct, entertaining narratives.

From the opening pages

T HERE were three distinct stages in the evolution of Annette Brougham's attitude towards the knocking in the room above. In the beginning it had been merely a vague discomfort. Absorbed in the composition of her waltz, she had heard it almost subconsciously. The second stage set in when it became a physical pain like red-hot pincers wrenching her mind from her music. Finally, with a thrill in indignation, she knew it for what it was—an insult. The unseen brute disliked her playing, and was intimating his views with a boot-heel. Defiantly, with her foot on the loud pedal, she struck—almost slapped—the keys once more. 'Bang!' from the room above. 'Bang! Bang!' Annette rose. Her face was pink, her chin tilted. Her eyes sparkled with the light of battle. She left the room and started to mount the stairs. No spectator, however just, could have helped feeling a pang of pity for the wretched man who stood unconscious of imminent doom, possibly even triumphant, behind the door at which she was on the point of tapping. 'Come in!' cried the voice, rather a pleasant voice; but what is a pleasant voice if the soul be vile? Annette went in. The room was a typical Chelsea studio, scantily furnished and lacking a carpet. In the centre was an easel, behind which were visible a pair of trousered legs. A cloud of grey smoke was curling up over the top of the easel. 'I beg your pardon,' began Annette. 'I don't want any models at present,' said the Brute. 'Leave your card on the table.' 'I am not a model,' said Annette, coldly. 'I merely came—' At this the Brute emerged from his fortifications and, removing his pipe from his mouth, jerked his chair out into the open. 'I beg your pardon,' he said. 'Won't you sit down?' How reckless is Nature in the distribution of her gifts! Not only had this black-hearted knocker on floors a pleasant voice, but, in addition, a pleasing exterior. He was slightly dishevelled at the moment, and his hair stood up in a disordered mop; but in spite of these drawbacks, he was quite passably good-looking. Annette admitted this. Though wrathful, she was fair. 'I thought it was another model,' he explained. 'They've been coming in at the rate of ten an hour ever since I settled here. I didn't object

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