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The Reckoning

by Robert W. (Robert William) Chambers

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This work is a historical novel written in prose narrative form, set during the American Revolutionary War. It focuses on the experiences of prominent families in northern New York, such as the Johnsons, Schuylers, and Van Rensselaers, and examines the social and political upheavals of the period. Central to the story is Carus Renault, a character who acts as a spy for the American cause while working closely with loyalist figures, creating a complex portrayal of loyalty, betrayal, and espionage. The novel explores themes of divided allegiances and the personal toll of wartime espionage within a context of familial and societal conflict. It is part of a series that depicts different facets of the war’s impact on aristocratic and landed families in New York, with the narrative structured around romance and personal relationships amid the chaos of rebellion.

The novel was written in the early 20th century and reflects the historical perspective and literary style of that period, offering a detailed account of wartime tensions in a specific American region. Its focus on individual characters' loyalties and the social fabric of the time provides insight into the complexities faced by Americans and loyalists during the revolution.

From the opening pages

The author's intention is to treat, in a series of four or five romances, that part of the war for independence which particularly affected the great landed families of northern New York: the Johnsons, represented by Sir William, Sir John, Guy Johnson, and Colonel Claus; the notorious Butlers, father and son; the Schuylers, Van Rensselaers, and others. The first romance of the series, Cardigan, was followed by the second, The Maid-at-Arms. The third in order is not completed. The fourth is the present volume. As Cardigan pretended to portray life on the baronial estate of Sir William Johnson, the first uneasiness concerning the coming trouble, the first discordant note struck in the harmonious councils of the Long House, so, in The Maid-at-Arms, which followed in order, the author attempted to paint a patroon family disturbed by the approaching rumble of battle. That romance dealt with the first serious split in the Iroquois Confederacy; it showed the Long House shattered though not fallen; the demoralization and final flight of the great landed families who remained loyal to the British Crown; and it struck the key-note to the future attitude of the Iroquois toward the patriots of the frontier—revenge for their losses at the battle of Oriskany—and ended with the march of the militia and Continental troops on Saratoga. The third romance, as yet incomplete and unpublished, deals with the war-path and those who followed it, led by the landed gentry of Tryon County, and ends with the first solid blow delivered at the Long House, and the terrible punishment of the Great Confederacy. The present romance, the fourth in chronological order, picks up the thread at that point. The author is not conscious of having taken any liberties with history in preparing a framework of facts for a mantle of romance. Robert W. Chambers. New York , May 26, 1904 . CONTENTS PAGE I.— The Spy 1 II.— The Household 24 III.— The Coq d'Or 44 IV.— Sunset and Dark 67 V.— The Artillery Ball 97 VI.— A Night and a Morning 127 VII.— The Blue Fox 164 VIII.— Destiny 188 IX.— Into the North 212 X.— Sermons in Stones 239 XI.— The Test 266 XII.— Thendara 289 XIII.— Thendara no More 313 XIV.— The Battle of Johnstown 336 XV.— Butler's Ford 366 TO MY FRIEND J. HAMBLEN SEARS WHOSE UNSELFISH FRIENDSHIP AND SOUND ADVICE I ACKNOWLEDGE IN THIS DEDICATION I…

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