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The Tragical History of Doctor Faustus: From the Quarto of 1604
- Language
- EN
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- EPUB
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Description
This tragedy is composed as a dramatic play script drawing upon Elizabethan theatrical conventions. It depicts the story of Doctor Faustus, a scholar who makes a pact with the demon Mephistopheles to gain magical powers. The narrative follows Faustus's progression from his initial pursuit of knowledge to his eventual downfall and damnation, embodying themes of ambition, human limits, and theological morality. The play is based on earlier legends and stories but was first performed in the late 16th century, reflecting the cultural and philosophical tensions of the Elizabethan era. The text exists in multiple versions from different publication dates, notably around 1604, which scholars analyse for variations and textual history. The work combines elements of classical tragedy with contemporary Elizabethan drama, involving a cast of various characters including scholars, demons, and allegorical figures.
The play explores moral and religious questions through its dramatic portrayal of Faustus's moral decline and supernatural encounters, making it an important work within British literature of the period.
The play explores moral and religious questions through its dramatic portrayal of Faustus's moral decline and supernatural encounters, making it an important work within British literature of the period.
From the opening pages
In reprinting this edition, I have here and there amended the text by means of the later 4tos,—1616, 1624, 1631.—Of 4to 1663, which contains various comparatively modern alterations and additions, I have made no use. DRAMATIS PERSONAE. THE POPE. CARDINAL OF LORRAIN. THE EMPEROR OF GERMANY. DUKE OF VANHOLT. FAUSTUS. VALDES, ] friends to FAUSTUS. CORNELIUS, ] WAGNER, servant to FAUSTUS. Clown. ROBIN. RALPH. Vintner. Horse-courser. A Knight. An Old Man. Scholars, Friars, and Attendants. DUCHESS OF VANHOLT LUCIFER. BELZEBUB. MEPHISTOPHILIS. Good Angel. Evil Angel. The Seven Deadly Sins. Devils. Spirits in the shapes of ALEXANDER THE GREAT, of his Paramour and of HELEN. Chorus. THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1604. Enter CHORUS. CHORUS. Not marching now in fields of Thrasymene, Where Mars did mate 1 the Carthaginians; Nor sporting in the dalliance of love, In courts of kings where state is overturn’d; Nor in the pomp of proud audacious deeds, Intends our Muse to vaunt 2 her 3 heavenly verse: Only this, gentlemen,—we must perform The form of Faustus’ fortunes, good or bad: To patient judgments we appeal our plaud, And speak for Faustus in his infancy. Now is he born, his parents base of stock, In Germany, within a town call’d Rhodes: Of riper years, to Wertenberg he went, Whereas 4 his kinsmen chiefly brought him up. So soon he profits in divinity, The fruitful plot of scholarism grac’d, That shortly he was grac’d with doctor’s name, Excelling all whose sweet delight disputes In heavenly matters of theology; Till swoln with cunning, 5 of a self-conceit, His waxen wings did mount above his reach, And, melting, heavens conspir’d his overthrow; For, falling to a devilish exercise, And glutted now 6 with learning’s golden gifts, He surfeits upon cursed necromancy; Nothing so sweet as magic is to him, Which he prefers before his chiefest bliss: And this the man that in his study sits. [Exit.] FAUSTUS discovered in his study. 7 FAUSTUS. Settle thy studies, Faustus, and begin To sound the depth of that thou wilt profess: Having commenc’d, be a divine in shew, Yet level at the end of every art, And live and die in Aristotle’s works. Sweet Analytics, ’tis thou 8 hast ravish’d me! Bene disserere est finis logices. Is, to dispute well, logic’s chiefest end? Affords this art no greater miracle? Then read no more; thou hast attain’d that 9…
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