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The Works of Edgar Allan Poe — Volume 2

by Edgar Allan Poe

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This volume features works by Edgar Allan Poe that focus on themes of mystery, the uncanny, and psychological suspense. It includes a selection of short stories and essays written during the early to mid-19th century, exemplifying Poe's mastery of creating atmosphere and intricate plots. Notable among these is "The Purloined Letter," which introduces the character of C. Auguste Dupin, a detective who utilises deductive reasoning to solve a complex crime involving a stolen letter of significance. The story demonstrates Poe’s interest in the mechanics of crime and the limits of rational investigation. The collection showcases Poe's skill in blending elements of horror and intellect, reflecting his influence on American literature and the development of detective fiction.

The volume provides insight into Poe's fascination with the psychological aspects of mystery and the darker corners of human nature, set within the context of 19th-century literary style and themes.

From the opening pages

[Redactor’s Note—Some endnotes are by Poe and some were added by Griswold. In this volume the notes are at the end.] THE PURLOINED LETTER Nil sapientiæ odiosius acumine nimio.— Seneca . At Paris, just after dark one gusty evening in the autumn of 18-, I was enjoying the twofold luxury of meditation and a meerschaum, in company with my friend C. Auguste Dupin, in his little back library, or book-closet, au troisième , No. 33, Rue Dunôt, Faubourg St. Germain . For one hour at least we had maintained a profound silence; while each, to any casual observer, might have seemed intently and exclusively occupied with the curling eddies of smoke that oppressed the atmosphere of the chamber. For myself, however, I was mentally discussing certain topics which had formed matter for conversation between us at an earlier period of the evening; I mean the affair of the Rue Morgue, and the mystery attending the murder of Marie Rogêt. I looked upon it, therefore, as something of a coincidence, when the door of our apartment was thrown open and admitted our old acquaintance, Monsieur G——, the Prefect of the Parisian police. We gave him a hearty welcome; for there was nearly half as much of the entertaining as of the contemptible about the man, and we had not seen him for several years. We had been sitting in the dark, and Dupin now arose for the purpose of lighting a lamp, but sat down again, without doing so, upon G.‘s saying that he had called to consult us, or rather to ask the opinion of my friend, about some official business which had occasioned a great deal of trouble. “If it is any point requiring reflection,” observed Dupin, as he forebore to enkindle the wick, “we shall examine it to better purpose in the dark.” “That is another of your odd notions,” said the Prefect, who had a fashion of calling every thing “odd” that was beyond his comprehension, and thus lived amid an absolute legion of “oddities.” “Very true,” said Dupin, as he supplied his visitor with a pipe, and rolled towards him a comfortable chair. “And what is the difficulty now?” I asked. “Nothing more in the assassination way, I hope?” “Oh no; nothing of that nature. The fact is, the business is very simple indeed, and I make no doubt that we can manage it sufficiently well

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