The Works of Lord Byron. Vol. 3

The source code for this HTML page contains only Latin-1 characters, but it directs the browser to display some special characters. The original work contained a few phrases or lines of Greek text. These are represented here as Greek letters, for example Δεῦτε πῖδες, κ.τ.λ. . If the mouse is held still over such phrases, a transliteration in Beta-code pops up. Aside from Greek letters, the only unusual characters are ā (a with macron), ī (i with macron), and ć (c with accent). An important feature of this edition is its copious footnotes. Footnotes are indicated by small raised keys in brackets; these are links to the footnote's text. Footnotes indexed with arabic numbers (e.g. [17], [221]) are informational. Any text in square brackets is the work of editor E. H. Coleridge. Unbracketed note text is by Byron himself. Footnotes indexed with letters (e.g. [c], [bf]) document variant forms of the text from manuscripts and other sources. In the original, footnotes were printed at the foot of the page on which they were referenced, and their indices started over on each page. In this etext, footnotes have been collected at the ends of each section, and have been numbered consecutively throughout. Navigation aids are provided as follows. Page numbers are displayed at the right edge of the window. To jump directly to page nn , append #Page_ nn to the document URL. To jump directly to the text of footnote xx , either search for [ xx ] or append #Footnote_ xx to the document URL. Within the blocks of footnotes, numbers in braces such as {321} represent the page number on which following notes originally appeared. These numbers are also preserved as HTML anchors of the form Note_321. To find notes originally printed on page nn , either search for the string { nn } or append #Note_ nn to the document URL. PREFACE TO THE THIRD VOLUME. The present volume contains the six metrical tales which were composed within the years 1812 and 1815, the Hebrew Melodies , and the minor poems of 1809-1816. With the exception of the first fifteen poems (1809-1811)— Chansons de Voyage , as they might be called—the volume as a whole was produced on English soil. Beginning with the Giaour ; which followed in the wake of Childe Harold and shared its triumph, and ending with the ill-omened Domestic Pieces , or Poems…