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The World I Live In

by Helen Keller

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Language
EN
Format
EPUB
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293 KB

Description

Set in the early 20th century, Helen Keller's collection of essays presents a personal account of her experiences living as a deaf-blind individual. The work focuses on her attempts to understand and interpret the world through tactile sensations and her vivid imagination, rather than through traditional sight and sound. Keller discusses her communication with others, her perceptions of her environment, and the emotional significance of human relationships, illustrating how her unique sensory experiences shape her identity and worldview. The essays reflect on themes of perception, human connection, and the resilience of the human spirit, providing insight into the life of someone navigating a world without sight or hearing.

This work is situated within the biography genre and offers autobiographical reflections that highlight Keller's inner life and the methods she uses to make sense of her surroundings. Published in the early 20th century, it contributes to both literary and disability history by detailing her personal perspective and philosophical outlook on perception and communication.

From the opening pages

The bas-relief on the wall is a portrait of the Queen Dowager of Spain, which Her Majesty had made for Miss Keller To face page 22 I am told that the words I have just written do not "describe" the hands of my friends, but merely endow them with the kindly human qualities which I know they possess, and which language conveys in abstract words. The criticism implies that I am not giving the primary truth of what I feel; but how otherwise do descriptions in books I read, written by men who can see, render the visible look of a face? I read that a face is strong, gentle; that it is full of patience, of intellect; that it is fine, sweet, noble, beautiful. Have I not the same right to use these words in describing what I feel as you have in describing what you see? They express truly what I feel in the hand. I am seldom conscious of physical qualities, and I do not remember whether the fingers of a hand are short or long, or the skin is moist or dry. No more can you, without conscious effort, recall the details of a face, even when you have seen it many times. If you do recall the features, and say that an eye is blue, a chin sharp, a nose short, or a cheek sunken, I fancy that you do not succeed well in giving the impression of the person,—not so well as when you interpret at once to the heart the essential moral qualities of the face—its humour, gravity, sadness, spirituality. If I should tell you in physical terms how a hand feels, you would be no wiser for my account than a blind man to whom you describe a face in detail. Remember that when a blind man recovers his sight, he does not recognize the commonest thing that has been familiar to his touch, the dearest face intimate to his fingers, and it does not help him at all that things and people have been described to him again and again. So you, who are untrained of touch, do not recognize a hand by the grasp; and so, too, any description I might give would fail to make you acquainted with a friendly hand which my fingers have often folded about, and which my affection translates to my memory. I cannot describe…

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