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The yellow book, an illustrated quarterly. Vol. 3, October, 1894

by Anonymous

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The periodical is a quarterly publication that features a combination of literary essays, poetry, translations, and illustrations. The October 1894 issue includes contributions from various writers, such as William Watson, Kenneth Grahame, Arthur Symons, and Ella D’Arcy. The content encompasses reflections on women’s roles, poetic works, and translations from French, all accompanied by visual illustrations. Edited by Henry Harland and published at The Bodley Head in London, it represents an influential segment of late Victorian literary culture.

Published between 1894 and 1897, The Yellow Book was associated with the aesthetic movement and the so-called "Yellow Nineties". Its design and content reflect contemporary artistic and literary trends, aiming to cultivate an intellectual and artistic readership. The periodical documents the style and concerns of its time through both its editorial choices and the specific topics addressed by its contributors.

From the opening pages

Variable spelling and hyphenation have been retained. Minor punctuation inconsistencies have been silently repaired. A list with the corrections made can be found at the end of the book . The Yellow Book An Illustrated Quarterly The Yellow Book An Illustrated Quarterly London: John Lane Boston: Copeland & Day Contents Literature I. Women—Wives or Mothers By A Woman Page 11 II. “Tell Me not Now” William Watson 19 III. The Headswoman Kenneth Grahame 25 IV. Credo Arthur Symons 48 V. White Magic Ella D’Arcy 59 VI. Fleurs de Feu José Maria de Hérédia, of the French Academy 69 VII. Flowers of Fire, a Translation Ellen M. Clerke 70 VIII. When I am King Henry Harland 71 IX. To a Bunch of Lilac Theo Marzials 87 X. Apple-Blossom in Brittany Ernest Dowson 93 XI. To Salome at St. James’s Theodore Wratislaw 110 XII. Second Thoughts Arthur Moore 112 XIII. Twilight Olive Custance 134 XIV. Tobacco Clouds Lionel Johnson 143 XV. Reiselust Annie Macdonell 153 XVI. To Every Man a Damsel or Two C. S. 155 XVII. A Song and a Tale Nora Hopper 158 XVIII. De Profundis S. Cornish Watkins 167 XIX. A Study in Sentimentality Hubert Crackanthorpe 175 XX. George Meredith Morton Fullerton 210 XXI. Jeanne-Marie Leila Macdonald 215 XXII. Parson Herrick’s Muse C. W. Dalmon 241 XXIII. A Note on George the Fourth Max Beerbohm 247 XXIV. The Ballad of a Nun John Davidson 273 Art I. Mantegna By Philip Broughton Page 7 II. From a Lithograph George Thomson 21 III. Portrait of Himself } Aubrey Beardsley IV. Lady Gold’s Escort V. The Wagnerites 50 VI. La Dame aux Camélias VII. From a Pastel Albert Foschter 89 VIII. Collins’ Music Hall, Islington } Walter Sickert 136 IX. The Lion Comique X. Charley’s Aunt XI. The Mirror } P. Wilson Steer 169 XII. Skirt-Dancing XIII. A Sunset William Hyde 211 XIV. George the Fourth Max Beerbohm 243 XV. Study of a Head An Unknown Artist 270 The Yellow Book The Editor of The Yellow Book can in no case hold himself responsible for rejected manuscripts; when, however, they are accompanied by stamped addressed envelopes, every effort will be made to secure their prompt return. The Yellow Book An Illustrated Quarterly London: John Lane, The Bodley Head, Vigo Street Boston: Copeland & Day Agents for the Colonies: Robt. A. Thompson & Co. Ballantyne Press London & Edinburgh Mantegna By Philip Broughton…

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