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The Young Visiters or, Mr. Salteena's Plan

by Daisy Ashford

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Language
EN
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EPUB
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194 KB

Description

Published in 1919 and attributed to Daisy Ashford, a child author who wrote it at age nine, the novel humorously recounts the social ambitions of Alfred Salteena, a 42-year-old man determined to ascend the ranks of British society. The narrative also depicts the romantic interests of a young girl, Ethel Monticue, who develops feelings for Bernard Clark, a wealthy young man. The story is set in Victorian England and is characterised by its juvenile spelling, innocence, and naivety, reflecting the perspective of its young creator. The work is notable for its unintentional humour and the way it satirises class distinctions and social pretensions prevalent during the period.

During its initial publication, the book gained popularity as a seemingly authentic work, despite its origins as a child's writing, and became a bestseller. It has been regarded as an example of children's literature that blurs the line between naive storytelling and satire. The novel's playful tone and unconventional language continue to attract interest for their historical and literary significance within early 20th-century British literature.

From the opening pages

The "owner of the copyright" guarantees that "The Young Visiters" is the unaided effort in fiction of an authoress of nine years. "Effort," however, is an absurd word to use, as you may see by studying the triumphant countenance of the child herself, which is here reproduced as frontispiece to her sublime work. This is no portrait of a writer who had to burn the oil at midnight (indeed there is documentary evidence that she was hauled off to bed every evening at six): it has an air of careless power; there is a complacency about it that by the severe might perhaps be called smugness. It needed no effort for that face to knock off a masterpiece. It probably represents precisely how she looked when she finished a chapter. When she was actually at work [Pg vi] I think the expression was more solemn, with the tongue firmly clenched between the teeth; an unholy rapture showing as she drew near her love chapter. Fellow-craftsmen will see that she is looking forward to this chapter all the time. The manuscript is in pencil in a stout little note book (twopence), and there it has lain for years, for though the authoress was nine when she wrote it she is now a grown woman. It has lain, in lavender as it were, in the dumpy note book, waiting for a publisher to ride that way and rescue it; and here he is at last, not a bit afraid that to this age it may appear "Victorian." Indeed if its pictures of High Life are accurate (as we cannot doubt, the authoress seems always so sure of her facts) they had a way of going on in those times which is really surprising. Even the grand historical figures were free and easy, such as King Edward, of whom we have perhaps the most human picture ever penned, as he appears at a levée "rather sumshiously," in [Pg vii] a "small but costly crown," and afterwards slips away to tuck into ices. It would seem in particular that we are oddly wrong in our idea of the young Victorian lady as a person more shy and shrinking than the girl of to-day. The Ethel of this story is a fascinating creature who would have a good time wherever there were a few males, but no longer could she voyage through life quite so…

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