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Thelma

by Marie Corelli

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Language
EN
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EPUB
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534 KB

Description

The novel is a Victorian-era romantic narrative constructed with a focus on character development and social dynamics. It follows the relationship between Sir Philip Bruce-Errington and Thelma Guldmar, beginning in Norway and progressing to London society. The story examines themes of love, honesty, jealousy, and social intrigue, set against the contrasting backdrop of rural Norway and urban England. The novel explores the consequences of deception and betrayal within the context of Victorian social conventions, emphasising moral virtues and personal integrity.

Marie Corelli’s 1887 novel presents a detailed portrayal of 19th-century societal expectations and romantic ideals. Its narrative combines elements of melodrama and sentiment, typical of its period, to reflect the moral and emotional conflicts faced by its characters. The work is representative of late 19th-century popular fiction, with a focus on virtue and virtue tested in a social setting marked by intrigue and misunderstanding.

From the opening pages

Midnight,—without darkness, without stars! Midnight—and the unwearied sun stood, yet visible in the heavens, like a victorious king throned on a dais of royal purple bordered with gold. The sky above him,—his canopy,—gleamed with a cold yet lustrous blue, while across it slowly flitted a few wandering clouds of palest amber, deepening, as they sailed along, to a tawny orange. A broad stream of light falling, as it were, from the centre of the magnificent orb, shot lengthwise across the Altenfjord, turning its waters to a mass of quivering and shifting color that alternated from bronze to copper,—from copper to silver and azure. The surrounding hills glowed with a warm, deep violet tint, flecked here and there with touches of bright red, as though fairies were lighting tiny bonfires on their summits. Away in the distance a huge mass of rock stood out to view, its rugged lines transfigured into ethereal loveliness by a misty veil of tender rose pink,—a hue curiously suggestive of some other and smaller sun that might have just set. Absolute silence prevailed. Not even the cry of a sea-mew or kittiwake broke the almost deathlike stillness,—no breath of wind stirred a ripple on the glassy water. The whole scene might well have been the fantastic dream of some imaginative painter, whose ambition soared beyond the limits of human skill. Yet it was only one of those million wonderful effects of sky and sea which are common in Norway, especially on the Altenfjord, where, though beyond the Arctic circle, the climate in summer is that of another Italy, and the landscape a living poem fairer than the visions of Endymion. There was one solitary watcher of the splendid spectacle. This was a man of refined features and aristocratic appearance, who, reclining on a large rug of skins which he had thrown down on the shore for that purpose, was gazing at the pageant of the midnight sun and all its stately surroundings, with an earnest and rapt expression in his clear hazel eyes. "Glorious! beyond all expectation, glorious!" he murmured half aloud, as he consulted his watch and saw that the hands marked exactly twelve on the dial. "I believe I'm having the best of it, after all. Even if those fellows get the Eulalie into good position they will see nothing finer than this." As he spoke he raised his field-glass and swept the horizon…

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