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Victorian Short Stories: Stories of Courtship
by Anonymous
- Language
- EN
- Format
- EPUB
- Size
- 153 KB
Description
The collection features stories centered on courtship and romantic relationships, set within the social context of late 19th-century Britain. The narratives examine how characters from diverse social backgrounds navigate the complexities of love, societal expectations, and personal dilemmas. Prominent among the stories is "Angela: An Inverted Love Story," which describes a paralysed man observing a young woman from his Venetian lodgings, illustrating themes of unrequited affection and social limitations. Other tales include accounts of characters dealing with love's trials amid Victorian social norms, highlighting the constraints placed upon romantic pursuits during this period. The anthology provides a window into Victorian attitudes towards courtship and social class through a variety of romantic scenarios.
All the stories reflect the period’s literary style, combining emotional realism with social commentary. The collection was compiled from late 19th-century sources and offers insights into Victorian notions of love, honour, and societal duty, as observed through short narrative forms. It also features an opening story by William Schwenk Gilbert, demonstrating the era's interest in psychological insight and character-driven plots.
All the stories reflect the period’s literary style, combining emotional realism with social commentary. The collection was compiled from late 19th-century sources and offers insights into Victorian notions of love, honour, and societal duty, as observed through short narrative forms. It also features an opening story by William Schwenk Gilbert, demonstrating the era's interest in psychological insight and character-driven plots.
From the opening pages
A LITTLE GREY GLOVE, by George Egerton (Mary Chavelita [Dunne] Bright) THE WOMAN BEATER, by Israel Zangwill ANGELA An Inverted Love Story By William Schwenk Gilbert ( The Century Magazine , September 1890) I am a poor paralysed fellow who, for many years past, has been confined to a bed or a sofa. For the last six years I have occupied a small room, giving on to one of the side canals of Venice, and having no one about me but a deaf old woman, who makes my bed and attends to my food; and there I eke out a poor income of about thirty pounds a year by making water-colour drawings of flowers and fruit (they are the cheapest models in Venice), and these I send to a friend in London, who sells them to a dealer for small sums. But, on the whole, I am happy and content. It is necessary that I should describe the position of my room rather minutely. Its only window is about five feet above the water of the canal, and above it the house projects some six feet, and overhangs the water, the projecting portion being supported by stout piles driven into the bed of the canal. This arrangement has the disadvantage (among others) of so limiting my upward view that I am unable to see more than about ten feet of the height of the house immediately opposite to me, although, by reaching as far out of the window as my infirmity will permit, I can see for a considerable distance up and down the canal, which does not exceed fifteen feet in width. But, although I can see but little of the material house opposite, I can see its reflection upside down in the canal, and I take a good deal of inverted interest in such of its inhabitants as show themselves from time to time (always upside down) on its balconies and at its windows. When I first occupied my room, about six years ago, my attention was directed to the reflection of a little girl of thirteen or so (as nearly as I could judge), who passed every day on a balcony just above the upward range of my limited field of view. She had a glass of flowers and a crucifix on a little table by her side; and as she sat there, in fine weather, from…
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