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White nights, and other stories

by Fyodor Dostoyevsky

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Description

A young man in St. Petersburg, overwhelmed by feelings of loneliness and despondency, reflects on his solitary existence as the city empties for summer. The collection "White Nights and Other Stories" by Fyodor Dostoyevsky features narratives that examine themes of solitude, desire, and human connection through characters often grappling with internal psychological struggles. The titular story, "White Nights," centres on the narrator’s brief encounter with Nastenka, a young woman with whom he develops a transient emotional bond amidst the city's quiet summer nights. The stories were composed in the mid-19th century and exemplify Dostoyevsky’s focus on introspection and the complexities of human relationships, set against the backdrop of Russian society of that period.

The collection offers insight into characters experiencing internal conflicts and emotional vulnerability, typical of Dostoyevsky's exploration of the human condition. It reflects the author's engagement with psychological realism and moral questions prevalent in 19th-century Russian literature.

From the opening pages

when we are young, dear reader. The sky was so starry, so bright that, looking at it, one could not help asking oneself whether ill-humoured and capricious people could live under such a sky. That is a youthful question too, dear reader, very youthful, but may the Lord put it more frequently into your heart!... Speaking of capricious and ill-humoured people, I cannot help recalling my moral condition all that day. From early morning I had been oppressed by a strange despondency. It suddenly seemed to me that I was lonely, that every one was forsaking me and going away from me. Of course, any one is entitled to ask who "every one" was. For though I had been living almost eight years in Petersburg I had hardly an acquaintance. But what did I want with acquaintances? I was acquainted with all Petersburg as it was; that was why I felt as though they were all deserting me when all Petersburg packed up and went to its summer villa. I felt afraid of being left alone, and for three whole days I wandered about the town in profound dejection, not knowing what to do with myself. Whether I walked in the Nevsky, went to the Gardens or sauntered on the embankment, there was not one face of those I had been accustomed to meet at the same time and place all the year. They, of course, do not know me, but I know them. I know them intimately, I have almost made a study of their faces, and am delighted when they are gay, and downcast when they are under a cloud. I have almost struck up a friendship with one old man whom I meet every blessed day, at the same hour in Fontanka. Such a grave, pensive countenance; he is always whispering to himself and brandishing his left arm, while in his right hand he holds a long gnarled stick with a gold knob. He even notices me and takes a warm interest in me. If I happen not to be at a certain time in the same spot in Fontanka, I am certain he feels disappointed. That is how it is that we almost bow to each other, especially when we are both in good humour. The other day, when we had not seen each other for two days and met on the third, we were actually

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