Barnaby Rudge: A Tale of the Riots of 'Eighty
- Language
- EN
- Format
- EPUB
- Size
- 54 MB
Description
The novel centres on Barnaby Rudge, a simple-minded man associated with a family involved in a murder case, set against the tumult of the London Gordon Riots of 1780. Dickens examines the chaos and violence that erupt as mobs burn churches and attack property, reflecting the social tensions of the period. The narrative interweaves themes of forbidden love, criminal intrigue, and societal disorder, portraying both the destructive power of mob frenzy and the innocence of the titular character, who is often at the mercy of circumstances beyond his understanding. The story highlights the impact of political and religious unrest on ordinary lives, portraying the city’s upheaval through a mixture of personal and historical perspectives.
Published in 1841, the work is a historical novel that combines elements of social commentary with a focus on individual characters affected by large-scale violence. Dickens sets the story during the late 18th century, portraying a period of significant social unrest in Britain. The novel employs a broad cast of characters to depict the varied responses of society to the riots, blending fictional narrative with real historical events.
Published in 1841, the work is a historical novel that combines elements of social commentary with a focus on individual characters affected by large-scale violence. Dickens sets the story during the late 18th century, portraying a period of significant social unrest in Britain. The novel employs a broad cast of characters to depict the varied responses of society to the riots, blending fictional narrative with real historical events.
From the opening pages
I’ve left in archaic forms such as ‘to-morrow’ or ‘to-day’ as they occured in my copy. Also please be aware if spell-checking, that within dialog many ‘mispelled’ words exist, i.e. ‘wery’ for ‘very’, as intended by the author. D.L. CONTENTS PREFACE PREFACE The late Mr Waterton having, some time ago, expressed his opinion that ravens are gradually becoming extinct in England, I offered the few following words about my experience of these birds. The raven in this story is a compound of two great originals, of whom I was, at different times, the proud possessor. The first was in the bloom of his youth, when he was discovered in a modest retirement in London, by a friend of mine, and given to me. He had from the first, as Sir Hugh Evans says of Anne Page, ‘good gifts’, which he improved by study and attention in a most exemplary manner. He slept in a stable—generally on horseback—and so terrified a Newfoundland dog by his preternatural sagacity, that he has been known, by the mere superiority of his genius, to walk off unmolested with the dog’s dinner, from before his face. He was rapidly rising in acquirements and virtues, when, in an evil hour, his stable was newly painted. He observed the workmen closely, saw that they were careful of the paint, and immediately burned to possess it. On their going to dinner, he ate up all they had left behind, consisting of a pound or two of white lead; and this youthful indiscretion terminated in death. While I was yet inconsolable for his loss, another friend of mine in Yorkshire discovered an older and more gifted raven at a village public-house, which he prevailed upon the landlord to part with for a consideration, and sent up to me. The first act of this Sage, was, to administer to the effects of his predecessor, by disinterring all the cheese and halfpence he had buried in the garden—a work of immense labour and research, to which he devoted all the energies of his mind. When he had achieved this task, he applied himself to the acquisition of stable language, in which he soon became such an adept, that he would perch outside my window and drive imaginary horses with great skill, all day. Perhaps even I never saw him at his best, for his former master sent
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