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Theft: A Play In Four Acts

by Jack London

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Set in the political environment of Washington D.C. during the early 20th century, "Theft: A Play In Four Acts" by Jack London examines the interplay of power, morality, and societal justice. The play centers on the interactions among Senator Chalmers, his wife Margaret, and reformist congressman Howard Knox, highlighting conflicts between wealth and reform efforts. The narrative begins with characters engaging in strategic negotiations and manipulations, illustrating tensions within the political sphere. The work reflects London's interest in social issues and political ethics, portraying characters embroiled in schemes that question the integrity of governance and influence. As a dramatic work, it explores themes of corruption, morality, and the dynamics of political rivalry through dialogue and character conflict characteristic of early 20th-century American theatre.

The play provides a political and social commentary set against the backdrop of Washington's legislative and societal struggles during London's era.

From the opening pages

Margaret Chalmers. Twenty-seven years of age; a strong, mature woman, but quite feminine where her heart or sense of beauty are concerned. Her eyes are wide apart. Has a dazzling smile, which she knows how to use on occasion. Also, on occasion, she can be firm and hard, even cynical An intellectual woman, and at the same time a very womanly woman, capable of sudden tendernesses, flashes of emotion, and abrupt actions. She is a finished product of high culture and refinement, and at the same time possesses robust vitality and instinctive right-promptings that augur well for the future of the race. Howard Knox. He might have been a poet, but was turned politician. Inflamed with love for humanity. Thirty-five years of age. He has his vision, and must follow it. He has suffered ostracism because of it, and has followed his vision in spite of abuse and ridicule. Physically, a well-built, powerful man. Strong-featured rather than handsome. Very much in earnest, and, despite his university training, a trifle awkward in carriage and demeanor, lacking in social ease. He has been elected to Congress on a reform ticket, and is almost alone in fight he is making. He has no party to back him, though he has a following of a few independents and insurgents. Thomas Chalmers. Forty-five to fifty years of age. Iron-gray mustache. Slightly stout. A good liver, much given to Scotch and soda, with a weak heart. Is liable to collapse any time. If anything, slightly lazy or lethargic in his emotional life. One of the "owned" senators representing a decadent New England state, himself master of the state political machine. Also, he is nobody's fool. He possesses the brain and strength of character to play his part. His most distinctive feature is his temperamental opportunism. Master Thomas Chalmers. Six years of age. Sturdy and healthy despite his grandmother's belief to the contrary. Ellery Jackson Hubbard. Thirty-eight to forty years of age. Smooth-shaven. A star journalist with a national reputation; a large, heavy-set man, with large head, large hands—everything about him is large. A man radiating prosperity, optimism and selfishness. Has no morality whatever. Is a conscious individualist, cold-blooded, pitiless, working only for himself, and believing in nothing but himself. Anthony Starkweather. An elderly, well preserved gentleman, slenderly built, showing all the signs of a man who has lived clean and has been almost an ascetic. One…

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